Sucker Punch Explained

This was a single article which got split into two. This is the spoilers section. The review of the movie Sucker Punch is here.
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SPOILER ALERT
By the truck loads. There is no way to explain how to see the movie Sucker Punch without giving it away entirely. Which makes it hard for word of mouth promotion or any promotion at all. So you end up with the focus on the action and the girls.
The best way to understand the movie is to accept that what you have seen most through the movie was the imagination of Baby Doll on two levels. This is like the Kaiser Sozey myth of the Usual Suspects. Whatever you watched, you saw, never really happened. Or happened in a different way.
In the beginning of the movie, as Baby-Doll was being brought into the asylum, she saw the elements she needed to escape. She knew she only 5 days to escape and went about getting those items quickly. She was also befriended other girls who were with her on the scheme. The asylum was run on the inside by the orderlies led by the orderly called Blue in the movie. The escape plan went wrong and the girls were hurt badly but in the end, Baby-Doll realized she had to sacrifice herself so that Sweet Pea could manage to escape. As she was about to be lobotomized, she imagines a dream world. In this world, she replaced the asylum with a brothel. Baby-Doll probably had been able to build dream worlds to replace reality during the times she was molested by her father. This is what she did and what we saw during the brothel sections of the movie was a mix of her reality in the asylum and her imagining it as a brothel. This was her final escape before being lobotomized. You could see the world of the asylum crept in her dream world like the visions of the kitchen, the dorm and the grimy hallways. Whatever was replaced by the brothel imagery (of lights and stages and costumes) were probably pushed out by Baby-Doll from her mind. When she began dancing and entering her dream sequences, she was basically replacing her experience of stealing the items with her fantastic imaginary worlds, only keeping the memory of the excitement and the rush of adrenalin pumping through her. So like a Russian doll, the movie begins with the real-world (asylum), goes into the dream world (brothel) with the imaginary worlds (action scenes) at the center. The movie re-enters the dream brothel world and ends in the real world.

The title of the movie is spot on. Even at the most basic level, the ending will leave you wondering whose story is the movie really about. Despite of what the movie narration alludes to, it is still Baby-Doll's story. Since Baby-Doll goes catatonic, she never really sees Sweet Pea get on a bus. That probably is part of her dream world, too. The return of the wise man, is probably an indication that the vision we see is hers, justifying her sacrifice in exchange for Sweet Pea's escape.
Although the structure of the story seems unique, it has been done before but better. In comparison, the sucker punch was truly delivered by the Sixth Sense.

Game of Thrones. This seasons MOST guilty pleasure

We have a guest contributor today, AR3. 

Starring: Sean Bean, Mark Addy, Lena Headly, Peter Dinklage

Spoiler Alerts for anyone who hasn't watched Season 2.

Last night I attended a dinner party. Almost everybody has a rich friend; and these were my richest friends, I'm talking Rolls Royce not Bently in the driveway. Anyway we were chatting and somehow I mentioned Mad Men and how obsessed I'd become by the series... and then it happened...

The dinner was a party of 8 plus a baby; as soon as I geeked out on Mad Men, that's when one of the boyfriends confessed that his girlfriend is obsessed by Game of Thrones (GOT). This admission was followed by another, then another, until pretty much the infant was the only one not raving about GOT.

I hitched a ride home and surprisingly the conversation continued. We talked about how the different plots were so solid, how Prince Joffrey, now King, was a jerk. How he was lucky to have Tyrion to kick Stannis Baratheons ass (we are on episode 9 (S2) at the time of writing this).

My friend said it's really funny because no one is really talking about this Show, yet so many people are addicted to it like it was crack. Girlfriends, boyfriends, affluent, normal, so many were junkies of this show. (probably because of the abundance of risque materials -Ed.)

Fantasy isn't really cool (how many Frodo jokes have you heard?). As a former D&D gamemaster, I embrace my geekiness, but for the uninitiated, this sensation of pleasure that comes with watching Dragons come to life is something new.

I say get over yourself! Enjoy the ride and tell as many people you can about the awesomeness of Game of Thrones.

Commentary: Movie Trailers and their evil existence

Trailers are supposed to entice the public to see the movie. Have you ever noticed that trailers are always uncredited? Often, it's not the moviemaker who creates the trailers. Sometimes they don't even have a say as to what goes in it. Yet the success, financially at least, of a movie rests in part on trailers and the buzz they generate. So the reason for a trailer's existence is to make people want to see the movie, regardless of anything else. Even if it means including scenes that never make it into the movie. Even it it means showing scene from the ending. Whatever it takes to make moviegoers want to see the move and go to see the movie. Given this nature of which trailers are born and the controversy it stirs up with the moviemakers, the trailer-makers would probably prefer to remain anonymous.

From the various DVD commentaries and interviews I've heard, what usually happens is that after principal shooting is over and the editing process begins, the marketing people look over all the raw footage and choose what "works" or what might interest people. Damn story or any sense. That's why in trailers you'd see things that either do not make it into the final cut (nor in some cases even the extended cuts) and things that are right at the end of the movie, giving it away.

Not all trailers are like that. There are teasers. These just give glimpses of what the movie will be. It may not even contain any actual part of the move. Just look at the Harry Potter movie teasers or the Terminator 3's teaser's. The best of these are Pixar's. Their teasers tell something about the movie but doesn't contain any scenes from the movies. In fact, it is accepted fact that Pixar's teaser scenes will not make it into the movie. Yet, it does what it's supposed to do: make people want to watch the movie.

I think that there is a hidden code in trailers put in by trailer-makers that goes something like this, "If the movie is bad or I don't like it, the trailer will include a scene from the end of the movie or close to it or include something that'll give the movie away." Maybe it's a way of telling other trailer makers what they think about the movie without breaking confidentiality agreements. Perhaps some trailer-makers think they are doing a public service by doing so. That way, when you get close to the ending, you go, "Hey, I've seen this already. He'll do this and she'll do this. What the..? The ending is given away in the trailers". Those who understand this will pass it along... and the result is the movie not liked and watched by few.

But this has become a trend in trailers that even good movies suffer. I have watched movies and liked it while watching it only to be disappointed to see that the ending was shown already in the trailers. I understand it if the movie was a 'ride' movie, something that you get on and know what the end of the ride is going to be. However, this 'format' of trailer making is the norm now. It has come to a point that I don't even watch trailers anymore, fearing it might spoil my movie-going experience.

So the thing that was created to garner interest has done exactly the opposite. What a shame. I used to really enjoy trailers. The movie might be months away but by the time it comes, I really want to watch it, having watched the trailer for the upteenth time. Now, I don't bother. And I am not alone. If those marketing types have detected this trend, they are not flinching. They keep on following the same format. Doing otherwise would be an admission of guilt.